I don't manage to scroll up to the gain knobs completely on top of the busses. the addition of the dedicate "noise output" and a virtual room (monitoring) (or turning it off for speaker monitoring) are a couple of interesting ideas i've picked up - using noise to partially mask the overall mix to see what jumps out or isn't audible, and having a dedicated monitoring output so i can export from the master buss without changing it (like forgetting i have a virtual room enabled or the noise going.) In this case, i focused mainly on the flow from recording -> mix -> export and less on specific effects or track processing since that is really material dependent. No - there is no support for this other than kind sharing between people and positive commentary.Īttached are some diagrams which provide insight into how the flow and console is set up.
Yes - there are many opportunities to change, improve, or even wreck this template ? hopefully it's a just start for folks. stems may have send into a "room" buss for overall gluing.
sub-mixes may have send to the "ambience" busses for drums, vocals, instruments, solos. In essence: tracks flow into sub-mix busses grouped by type of instrument tracks, sub-mixes feed into "stem" busses for overall gross-level setting, and those feed into the master buss. besides, would you ever learn something if it was simply handed to you? ? I deliberately left out the soft synths because there are many many choices, and in my own templates, i use licensed products which may not be generally available. Ambience busses include the Sonitus reverb, and/or Sonitus delay.
#Pro tools mix template slate digital plugins pro
A general purpose mixing and recording template - includes the use of the Pro Channel EQ and in some tracks & busses, compressors.